Jason Whitmarsh
EACH SWITCHBACK THE LESS SECURE
You claimed a weathered antique in your chest
of possessions and gave me reason to believe
I one day would sail in it,
or at least set rudder by its burnished reflection.
You felt a bit of the bends in the up and coming
and wished my lead belt were more lead, less belt.
Dappled in the underneath, we once (arrayed
in wetsuits) sank too slow—a haberdashery cut
at the first sign of trouble, the profits invested
in the wherewithals, smitten and sartorial.
You claimed a bit of what I carried.
You made your case through the mail.
[originally published in Verse, 16.3/17.1]
An international literary journal from 1984 to 2018, Verse now administers the Tomaž Šalamun Prize.
Sunday, August 09, 2009
Friday, August 07, 2009
NEW! Poem by Michaël Vandebril
Michaël Vandebril
AMOUR FOU
ook
dit
gaat
voor
bij
en
ook
dat
zal
voor
bij
*
this
too
is
short
lived
and
that
too
shall
be
short
Translated by Brian Doyle
AMOUR FOU
ook
dit
gaat
voor
bij
en
ook
dat
zal
voor
bij
*
this
too
is
short
lived
and
that
too
shall
be
short
Translated by Brian Doyle
Wednesday, August 05, 2009
Pierre Joris, from VERSE
from the new issue of Verse (Volume 26, Numbers 1-3)
Pierre Joris
from meditations on the 40 stations of Mansur Al-Hallaj
29. Regrets for things lost (iftiqad)
but regret will not bring it back.
Nothing left to do but turn your
back on it. Tell yourself when you
know where something is
then it is not lost, even though
that something lie at the
bottom of the ocean. Nothing
ever is lost, & that may be
the only thing that is
real cause for regret.
Pierre Joris
from meditations on the 40 stations of Mansur Al-Hallaj
29. Regrets for things lost (iftiqad)
but regret will not bring it back.
Nothing left to do but turn your
back on it. Tell yourself when you
know where something is
then it is not lost, even though
that something lie at the
bottom of the ocean. Nothing
ever is lost, & that may be
the only thing that is
real cause for regret.
Monday, August 03, 2009
Susan Stewart, from VERSE
from the new issue of Verse (Volume 26, Numbers 1-3)
Susan Stewart
A LITTLE ROOM
If you want to kiss in an elevator
you have to know when to start.
You can’t begin to bend any later
than the third floor. Your heart
is pounding (and buttons are lighting,
which means someone’s waiting,
though not for you). There’ll be springing,
whistling, and sudden abating,
two, then one, then two. Intent, intended,
push > < and pull me into your arms,
close and closer, suspended
(the lock switched off alarm),
above is looming, below’s the abyss,
and meanwhile the 3 is the charm.
Susan Stewart
A LITTLE ROOM
If you want to kiss in an elevator
you have to know when to start.
You can’t begin to bend any later
than the third floor. Your heart
is pounding (and buttons are lighting,
which means someone’s waiting,
though not for you). There’ll be springing,
whistling, and sudden abating,
two, then one, then two. Intent, intended,
push > < and pull me into your arms,
close and closer, suspended
(the lock switched off alarm),
above is looming, below’s the abyss,
and meanwhile the 3 is the charm.