Michael Pagan
Two poems
PULLED RIGHT THROUGH INFINITY
I’ve seen myself backward—
mouth hung open in a soundless
moan; whatever it is that watches
is not human
I awoke, slowly,
in stages, aware of nothing
but, one, I was lying
on my back, and, two,
I felt terrible
That was the song
that was playing: The Downside
to Owning Your Own
Island
If I could then just listen
and watch,
and not say anything:
a figure in the rain
unable to fall—
I don’t really understand it because
it was you that’s been stealing
the stars
My feet equal handsome,
and the gods spare no one—they,
and the funny masks
they’d wear
What they don’t realize: everyone
uses them
Two poems
PULLED RIGHT THROUGH INFINITY
I’ve seen myself backward—
mouth hung open in a soundless
moan; whatever it is that watches
is not human
I awoke, slowly,
in stages, aware of nothing
but, one, I was lying
on my back, and, two,
I felt terrible
That was the song
that was playing: The Downside
to Owning Your Own
Island
If I could then just listen
and watch,
and not say anything:
a figure in the rain
unable to fall—
I don’t really understand it because
it was you that’s been stealing
the stars
My feet equal handsome,
and the gods spare no one—they,
and the funny masks
they’d wear
What they don’t realize: everyone
uses them
A CLOUDY, LOVERLY, LOVELY
We are cursed, cursed
again like we’ve been,
continually
we’ll wind up dead this way, knowing
very little, and that little fragment
we’d get wrong, too—
always we are
tablescapes, we are, sat here
and there, in better light;
a kind sea which lay above,
and beneath
the spraypainted Peace Across
A Stone, then tossed away
into a dried up riverbed,
to wait only for the rain,
with no red edges, a rain
of tenor, asking: Are you finding
what you’re looking for?
out here?
with me?
“But, you’re there and
you’re busy,” I’d say, “and
making my teeth
feel dry”
Then stay in the warm
“Then stay,” I’d answer
But, this conversation has lingered enough
We are cursed, cursed
again like we’ve been,
continually
we’ll wind up dead this way, knowing
very little, and that little fragment
we’d get wrong, too—
always we are
tablescapes, we are, sat here
and there, in better light;
a kind sea which lay above,
and beneath
the spraypainted Peace Across
A Stone, then tossed away
into a dried up riverbed,
to wait only for the rain,
with no red edges, a rain
of tenor, asking: Are you finding
what you’re looking for?
out here?
with me?
“But, you’re there and
you’re busy,” I’d say, “and
making my teeth
feel dry”
Then stay in the warm
“Then stay,” I’d answer
But, this conversation has lingered enough
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