Reviewed by Mary McMyne
Elizabeth Robinson’s fourteenth book, On Ghosts, is indeed a haunting collection. Elusive and difficult to characterize, the book contains poems as well as abstract essayistic passages, floating quotations, anecdotes, an e-mail, mathematical formulae, and descriptions of (absent) photographs. In her “Explanatory Note,” Robinson writes that the collection “is an essay on the phenomenon of ghosts and haunting,” and at first glance, this statement appears to be true. She begins by exploring the “conditions that locate themselves in specific sites or persons” and “calibrate individuals and places, make them vulnerable to the heightened perception, which is hauntedness.” What conditions make us vulnerable to perceiving that which others cannot see? How and why does this happen? What can we make of it? Later in the same note, Robinson claims that an “[a]pparition is not an entity as we think of it” with agency, but an “erasure.” As an example of this phenomenon, in “Creatures,” she describes a “subject” plagued by pain so insistent the pain
This is a photograph of a domestic interior. Because this ghost manifested primarily in an auditory manner, it is hard to see anything of significance in the photo. Note however the ghost’s baby tooth crumbling in a dish on the kitchen counter (foreground) and further back in the room, the boom box that went on at random times, always when there was a Harry Potter story tape in it.
“There was just
this and this
and in between it was all commas.”